Preserving the urban layout: the examples of the Detail Plans of Venzone and Gemona


The interventions and procedures followed for the reconstruction of the historic centres of Gemona and Venzone best encapsulate the approach taken to maintain the urban layout of the earthquake-stricken area and thus contribute to its rebirth, becoming one of the distinctive elements of the Friuli Model.

After establishing the criteria and procedures for allocating funds, the Regional Government suspended the approval process for the General Regional Urban Plan (PURG) in the earthquake-stricken area. They then set out the steps to be taken by approving the Regional Laws No. 33 in 1976 and No. 63 in 1977. Both provisions envisaged reconstruction guided by urban planning instruments, particularly the Detail Plans drawn up by the Municipal technical offices. Regional Law No. 63 introduced several innovations. Firstly, as architect Giorgio Dri explained, it assigned the «function of making amendments and variations to the regulatory plans or building programmes to the Detail Plans when these were determined to be non-conforming with the provisions of higher-level instruments already in place. Similarly, approval of the Detail Plans was equivalent to a declaration of public utility and the non-deferrability and urgency of all works and installations they provided for».

Research conducted by the National Research Council (Consiglio Nazionale delle Ricerche - CNR) on behalf of the Regional Consortium of Design Cooperatives of Friuli Venezia Giulia (Con-Coop) proved the vital role of urban planning in the reconstruction phase. The study recognised the importance of professionals and public administrations working together to draw up plans that took into account land ownership and the historical development of the area. The ‘cascade’ planning approach simplified the entire process. According to the Regional Councillor for Reconstruction, Salvatore Varisco, this strategic method enabled implementation processes to begin immediately, thus «freeing it from its subordinate relationship to general urban and district planning within the framework of the guidelines and methodologies of the Regional Urban Plan».

In Gemona, for example, the plan that was enacted defined the allocation of properties and the morphological prefiguration of the building project. In Osoppo, however, the urban planning instrument was structured as a framework plan, moving on to a level of urban specification and planovolumetric definition before addressing the layout of land ownership. Similar procedures were implemented in Artegna and Buja. In Tarcento, however, the reconstruction of the ‘Comparto B2’ area of the historic centre was the subject of a competition of ideas. A consortium of property owners, including the Municipality, was formed and invited four renowned professionals to submit a proposal. The project by the architect Gianni Avon from Udine was chosen, and he was subsequently entrusted with the construction of one of the buildings.

The specific Detail Plan for the reconstruction of the central zone of Gemona adopted the ‘where it was, as it was’ principle. It respected the line of the building fronts (with hatching or continuous lines indicating whether they had indicative or prescriptive value for constructing new volumes), the shape of the plot, and the street frontage. This approach configured the context both vertically and horizontally. The plan favoured coherent and linear building elements, establishing the orthogonal shaping of building volumes to encourage continuous frontage alignment and regular roof construction. It also stipulated stone framing for openings to determine their dimensions, and the ratio of solids to voids in façades according to traditional proportions. External finishes were restricted to basic, plain plaster.

The aim was not to rebuild the old version of Gemona: «The extraordinary, fluid, exceptional time after the catastrophe, explained the architect who signed the Plan, Giovanni Pietro Nimis, suggested avoiding ‘closed’ solutions, which would have proved arbitrary in the delicate task of reconstructing a city razed to the ground while preserving its memory.» The Plan conceived by Nimis addressed the essential urban elements, for example, the internal usability of the volumes, and postponed decisions that were neither necessary nor urgent in order to instead specify the works to be carried out inside the building volumes, given that the granting of public funding demanded a greater level of detail. In order to overcome the complexities arising from the high level of property stratification in the historic centre, a morphological grid was defined, based on the analysis of Municipal cadastral sheets and maps, into which localised and unitary interventions were inserted. These could aggregate several plots within a single perimeter, in what were defined as unitary zones.

The start of participatory building design was equally decisive for the rebirth of Gemona. After a series of meetings, the property owners in each area quickly decided to award a joint contract to a single firm. The architects played a central role, mediating and reconciling many individual requests, gathering the needs expressed by citizens and presenting them in practical forms so that everyone could recognise them as their own. According to many professionals, it was a unique experience that forced them to move beyond the conception of design as a two-dimensional aesthetic concept to transform it into a kind of social therapy that provided reassurance against a sense of ‘anxiety’.

The medieval village of Venzone, designated as an Italian national monument in 1965, is another example of successful reconstruction. Razed to the ground by the earthquake, it was rebuilt entirely ‘as it was’, using the same stones following a process known as anastylosis. The rubble was first sorted by building and by area, according to the criteria established in a comprehensive recovery plan, before being transferred to the Rivoli Bianchi area outside the town. Every stone, including the 3,000 pieces from the cathedral, was catalogued and reused in the reconstruction of the historic settlement.

Public involvement was also instrumental in the ‘philological’ rebirth of Venzone. In August 1977, the townspeople initiated a petition, establishing a committee on March 19 of that year and forming the Coordinating Committee for the Recovery of Cultural Heritage (Comitato di Coordinamento per il Recupero dei Beni Culturali - CCRBC) on May 7 1976. Professor Remo Cacitti, teacher Miriam Calderali and a group of extraordinary intellectuals led this popular movement. Without their contribution, the reconstruction would probably have taken a different path.

Bolstered by the Ministerial Protection Order in place since 1965, as well as pre-existing documentation and the decision taken by the Sector Committee of the National Council for Cultural and Environmental Heritage in December 1977, the Municipality rejected the idea of rebuilding the town centre using prefabricated residential units. Instead, it adopted the sample project proposed by the Committee on March 19, in opposition to the proposal that had emerged from the competition for ideas announced by the Province of Udine and the Italian Prefabricators Association. The ‘Detail Plan for the reconstruction of the historic centre of Venzone’, drawn up by Professor Romeo Ballardini, a former member of the Sector Committee of the National Council for Cultural Heritage, was adopted on April 23 1980 and definitively approved by the Regional Government on July 19 1980. By December 1979, the Historic Centre Office, which was responsible for coordinating the reconstruction directed by Ballardini himself, had also become operational.

The final plan was based on a meticulous survey of the settlement, derived from historical cadastral maps and pre-earthquake documentation, compared with the surveys carried out after the destruction. The detailed design of the insulae of the historic centre addressed every detail of the works, from the foundations and masonry to the construction details, window frames and floorings of the hallways. To avoid delays and ensure the uniformity of interventions within the insulae, the Detail Plan had provided for proceeding with the temporary expropriation of properties, the execution of the works and the re-assignment of the dwellings, upon completion of the work, to those entitled, who, however, received their homes much later compared to other earthquake victims.

The reconstruction of the cathedral in Venzone was another exemplary project. The few surviving parts were consolidated and restored. The stone blocks of the perimeter walls were recovered from the rubble, identified using existing photogrammetric surveys, and repositioned in their original locations. This integrated the reconstruction of the portions of the structure that were left, but with the recovery of the masonry and the use of new materials, including reinforced concrete.

Venzone remains a relevant case study to the extent that today it has become an open-air laboratory, as evidenced by the establishment of the International Anti-seismic School (the SERM Academy: Seismic Emergency Response Management), which was promoted by the Regional Government, the University of Udine, the Association of Earthquake-stricken Municipalities and Mayors of the Reconstruction of Friuli, and the National Fire Brigade. The School was inaugurated ten years ago in the old village of Portis, which was abandoned due to the threat of landslides. It uses the ruins of buildings destroyed by the earthquake to enable experts to refine emergency response and site safety and security techniques.